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WE MOVE Nik NOWAK, Sonja GERDES, Friederike HAMANN, Cyrill LACHAUER, Gabriel
Rossell SANTILLAN, Timo KLÖPPEL, Daniel WINKLER, Wolfgang FÜTTERER,
Moritz HIRSCH
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| Gabriel Rossell Santillan, Reise nach Ägypten,
2008 Plexiglas, Wasserkocher, Diaprojektion |
Defining motion as an indivisible action that takes part in static space, Aristotle emphasised that movement can only originate from a condition of unity and identity (Physics, VII, ch. 2, 243a). While some of the works on display interrogate this condition to the origin of movement, others address the inner movement of soul and its production of sentiments that find their expressions in the field of language - the metaphor of being moved, for instance.
Thus the works of Nik Nowak, Sonja Gerdes and Moritz Hirsch embody driving-machines that cannot move. "Baron Bass" (2008) by Nowak appears as an oversized children's toy or a shrunken desert-car that spouts off a deep baritone sound. The sound pervades the material of the machine, causing it to vibrate. Fractional and physical motion becomes one. Affecting the beholder to echo this vibration in his own body, the movement of the artwork transforms into a chiasm that interrelates physical and visual motion. "Haferflockentraumbaum für Pferde" (2008) by Sonja Gerdes connects the sphere of dreams with a baby scooter, thereby visualising the inner motion of fantasy with a machine for transportation. Situated in the street outside the gallery, the car-installation by Moritz Hirsch enquires into the relation between urban space and that of the exhibition, using the car as a vehicle of medial presence.
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| Timo Klöppel, Wo ist Russland, 2008, mixed
media Cyrill Lachauer, Bussard, 2008, Foto |
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| Sonja Gerdes Haferflockentraumbaum für Pferde, 2008 Scooter, Glasfaser, Pigment, Haferflocken, Plastik-Pferde |
Equally concerned with a dualism, Timo Klöppel's installation "Wo ist Russland" (2008) simultaneously alludes to the inner movement of the desire by which the Russian cosmonaut Gargarin is looking for his home country from outer space - and to the physical movement implied in space travel.
Transgressing this concern with physical motion Wolfgang Fütterer's video on belly dance, Cyrill Lachauer's photograph "Bussard" (2008) and Friederike Hamanns jelly sculpture enquire into cultural concepts of movement as they develop from the context of ritual and ethnic custom. Reflecting on movement as a performative act, Gabriel Rossell Santillan's steam picture and Daniel Winkler's sculpture "Ushtrasanam - Borodubur" (2004) transfer material and motive in an enhanced notion of movement.
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| Wolfgang Fütterer, Wolfgang II. (Bauchtanz)’,
2008, Videoloop Moritz Hirsch, Autofiction, 2004, FIAT, Videoinstallation ---> www.autofiction.net |
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| Daniel Winkler Ushtrasanam-Borobodur, 2004, Gips |
opening
Saturday, January 3rd, 2009, 19 h
exhibition
January 3 – January 31, 2009
opening hours
Tue– Sat | 12 – 18 h
location
WILDE GALLERY
Chausseestrasse 7
D-10115 Berlin
info@wilde-gallery.com
www.wilde-gallery.com
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| Friederike Hamann, Götterspeisung, 2007 Kunststoff, Motor, Götterspeise |
| WILDE GALLERY | Chausseestrasse 7 | 10115 Berlin –
Germany Fon +49 . (0)30 . 258 16 258 | info@wilde-gallery.com Wed – Sat, 12 – 6pm | www.wilde-gallery.com Imprint |