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ACADEMIC QUALIFICATIONS

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2002-03
DFFB, DEUTSCHE FILM UND FERNSEHE AKADEMIE, BERLIN, Berlin, Germany
Gast Student for Film Analysis and Film History

2001
BUNDESARCHIV FILMARCHIV, Berlin, Germany
Internship in Film Conservation

1992
ICCROM (Unesco Academie Rome), Rome, Italy
Diplom: Scientific Principles of Conservation

1987-88
EX-MONASTERO DELLA TRINITA, Brescia,Italy
Diploma in Easel Paintings Conservation
Dissertation Topic: “Wooden Polychromed Sculpture”

1985-87
ISTITUTO PER L’ARTE E IL RESTAURO, Palazzo Spinelli, Florence, Italy
Diploma in Conservation of Wooden Artefacts

1976-81
UNIVERSITY OF BARCELONA, Barcelona, Spain
Master’s Degree in Humanities (History, Art History, Geography)

 

RECOGNITIONS

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2000
Roland Lauder Grant, internship in MoMA

1992
European Union, Studies at ICCROM, Rome, Italy

1986-88
Diputación de Gipuzkoa, Conservation studies in Florence and Brescia

1985-86
San Sebastián City Hall, Conservation studies in Florence.

 

SELECTED EXHIBITIONS

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2009
"Calgary Nocturnes, Lanes", IKG (Illington Kerr Gallery), College of Art + Design (ACAD), Calgary and at Sled Island Music Festival.
Tape Modern #7, Black, Tape Modern, Berlin, Germany

2008
INVENTORY # 1, WILDE Gallery, Berlin
Nuit Blanche Toronto, Toronto, Canada, curated by Wayne Baerwaldt

 

ART FAIRS

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2009
SCOPE Basel, with WILDE Gallery, Berlin
SCOPE New York, with WILDE Gallery, Berlin

2008
Art Miami, with WILDE Gallery, Berlin
Toronto Art Fair, Toronto, with WILDE Gallery, Berlin
Red Dot Art Fair, New York, with WLDE Gallery, Berlin

 

PUBLICATIONS

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1993
"A artist´s questionnaire on the treatment and techniques of conservation for
contemporary artists" Spanish Group for the Conservation of Contemporary
Art, Vitoria

1991
"The Conservation of the Bidaurreta Altarpiece" San Sebastián

 

WORK EXPERIENCES

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2000-07
Bode Museum, Skulpturesammmlung, Berlin, Germany
Conservation of several Polychromed Italian Terracotta Sculptures, S.XV-XVI
(Jacopo della Quercia, Andrea della Robbia, Michele da Firenze, Vincenzo Onofri)

1999
Museum of Modern Art, New York, USA
Conservation of Charles & Ray Eames, “Glider Nose”, 1943
Examination and Treatment Proposal of Baranoff-Rossiné’s “Symphonie n°1”,1913.

1996-2000
Bundesdenkmalamt, Vienna, Austria
Conservation of Michael Pacher’s Altar in St Wolfang, Upper Austria
Conservation of Wiener Neustadter Altar in St Stephan Cathedral, Vienna
Admont Abbey, Styria, Austria
Joseph Stammel’s Sculptures at the Abbey Library, 1760

1991-96
Albayalde Conservation Studio, San Sebastián, Spain
Conservator of Polychromed Sculptures
Projects included:
-Museo Diocesano, San Sebastián
-Museo de Bellas Artes, Vitoria
-Museo Julio Beobide, Zumaia
-Iglesia de San Esteban, Larraul, Main Altarpiece XVII C
-Iglesia de San Juán Bautista, Hernani, seven Altarpieces, XVII C
-Private Collections in the Basque Country

1988-91
Arteleku Regional Government Conservation Studio, San Sebastián, Spain
Conservator and Studio Co-ordinator
Projects included:
-Conservation of Bidaurreta Altarpiece, XVI C
-Conservation of Albiztur Altarpiece, XVI C
-Conservation of Murinondo Madonna, XVI C

1988
Teatro Ponchielli, Cremona, Italy
Analytical study of the polychromed layers of the architectural decorations prior to Conservation

1983-85
Museo de San Telmo, San Sebastián, Spain
Apprentice
Specialising in the conservation of wooden artefacts

 

SELECTED WORKS

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